{"id":326,"date":"2014-03-28T06:29:03","date_gmt":"2014-03-27T21:29:03","guid":{"rendered":"https:\/\/www.okigei.ac.jp\/PhD\/?p=326"},"modified":"2025-10-09T21:37:05","modified_gmt":"2025-10-09T12:37:05","slug":"ryoko","status":"publish","type":"post","link":"https:\/\/www.okigei.ac.jp\/PhD\/research\/dr-dissertation\/ryoko","title":{"rendered":"\u30d9\u30fc\u30c8\u30fc\u30f4\u30a7\u30f3\u300a\u30c7\u30a3\u30a2\u30d9\u30c3\u30ea\u5909\u594f\u66f2\u300b\u306e\u8cc7\u6599\u6279\u5224\u7684\u7814\u7a76\u3000\u2015\u521d\u671f\u51fa\u7248\u8b5c\u76f8\u4e92\u9593\u306e\u7570\u540c\u3092\u4e2d\u5fc3\u306b\u2015"},"content":{"rendered":"<dl>\n<dt>\u6c0f\u540d\uff08\u672c\u7c4d\uff09<\/dt>\n<dd><ruby>\u5927\u57ce \u4e86\u5b50<rp>\uff08<\/rp><rt>\u304a\u304a\u3057\u308d 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role=\"tabpanel\">\n<h2>\u535a\u58eb\u8ad6\u6587\u8981\u65e8<\/h2>\n<p>\u30d9\u30fc\u30c8\u30fc\u30f4\u30a7\u30f3\u4f5c\u66f2\u300a\u30a2\u30f3\u30c8\u30f3\u30fb\u30c7\u30a3\u30a2\u30d9\u30c3\u30ea\u306e\u30ef\u30eb\u30c4\u4e3b\u984c\u306b\u3088\u308b33\u306e\u5909\u594f\u66f2\u300b\u4f5c\u54c1120\uff08\u4ee5\u4e0b\u3001\u4f5c\u54c1120\u3068\u547c\u79f0\uff09\u306b\u306f\u3001\u30d9\u30fc\u30c8\u30fc\u30f4\u30a7\u30f3\u81ea\u8eab\u306b\u3088\u308b\u81ea\u7b46\u8b5c\u3068\u5199\u8b5c\u8005\u306b\u3088\u308b\u6d44\u66f8\u8b5c\u3068\u304c\u5b58\u5728\u3059\u308b\u3002\u305d\u306e\u4ed6\u3001\u5370\u5237\u697d\u8b5c\u3068\u3057\u3066\u306f\u3001\u30d9\u30fc\u30c8\u30fc\u30f4\u30a7\u30f3\u751f\u524d\u306b\u51fa\u7248\u3055\u308c\u305f\u300c\u521d\u7248\u8b5cOriginalausgabe\u300d\u3001\u300c\u6539\u984c\u7248Titelauflage\u300d\u3001\u30d9\u30fc\u30c8\u30fc\u30f4\u30a7\u30f3\u6ca1\u5f8c\u306e\u5f8c\u7d9a\u306e\u5370\u5237\u697d\u8b5c\u300c\u5f8c\u7d9a\u7248Nachdruck\u300d\u304c\u3042\u308b\u3002\u5f8c\u7d9a\u7248\u51fa\u7248\u306e\u5f8c\u306e\u3044\u308f\u3086\u308b\u300c\u65e7\u5168\u96c6\u3000Ludwig van Beethovens Werke: Vollsta\u30a4\u30bf\u30ea\u30c3\u30afndige kritisch durchgesehene u\u30a4\u30bf\u30ea\u30c3\u30afberall berechtigte Ausgabe\u300d\u3068\u3001\u3044\u308f\u3086\u308b\u300c\u65b0\u5168\u96c6\u3000Beethoven Werke: herausgegeben von Beethoven-Archiv Bonn 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Lesart\u300d\u306b\u3064\u3044\u3066\u8003\u5bdf\u3057\u305f\u3082\u306e\u3067\u3042\u308b\u3002<\/p>\n<p>\u7b2c1\u7ae0\u3067\u306f\u3001\u4f5c\u54c1120\u306e\u4e3b\u306a\u5148\u884c\u7814\u7a76\u306b\u3064\u3044\u3066\u8ff0\u3079\u3001\u305d\u308c\u3089\u306e\u8ad6\u70b9\u3068\u554f\u984c\u70b9\u3092\u6319\u3052\u305f\u3002<\/p>\n<p>\u7b2c2\u7ae0\u3067\u306f\u3001\u4f5c\u54c1\u306e\u6210\u7acb\u306b\u95a2\u308f\u308b\u5468\u8fba\u4e8b\u60c5\u3092\u691c\u8a0e\u3057\u3001\u305d\u306e\u6210\u7acb\u306e\u5951\u6a5f\u3068\u306a\u3063\u305f\u4e3b\u984c\u4f5c\u66f2\u8005\u30a2\u30f3\u30c8\u30f3\u30fb\u30c7\u30a3\u30a2\u30d9\u30c3\u30ea\u3068\u30d9\u30fc\u30c8\u30fc\u30f4\u30a7\u30f3\u3092\u53d6\u308a\u5dfb\u304f\u793e\u4f1a\u72b6\u6cc1\u3092\u660e\u3089\u304b\u306b\u3057\u305f\u3002\u307e\u305f\u3001\u540c\u3058\u4e3b\u984c\u306e50\u4eba\u306e\u4f5c\u66f2\u8005\u304c\u4f5c\u66f2\u3057\u305f\u3001\u3082\u3046\u3072\u3068\u3064\u306e\u300a\u30c7\u30a3\u30a2\u30d9\u30c3\u30ea\u5909\u594f\u66f2\u96c6\u300b\u306b\u3064\u3044\u3066\u8ad6\u3058\u3001\u5f53\u6642\u306e\u4e00\u822c\u7684\u306a\u5909\u594f\u6280\u6cd5\u3092\u660e\u3089\u304b\u306b\u3057\u305f\u3002<\/p>\n<p>\u7b2c3\u7ae0\u3067\u306f\u3001\u30d9\u30fc\u30c8\u30fc\u30f4\u30a7\u30f3\u306e\u5909\u594f\u6280\u6cd5\u306b\u3064\u3044\u3066\u691c\u8a0e\u3057\u305f\u3002\u30d9\u30fc\u30c8\u30fc\u30f4\u30a7\u30f3\u306b\u3068\u3063\u3066\u5909\u594f\u6280\u6cd5\u306f\u3001\u5909\u594f\u66f2\u3060\u3051\u3067\u306f\u306a\u304f\u3001\u30d4\u30a2\u30ce\u30fb\u30bd\u30ca\u30bf\u3084\u4ea4\u97ff\u66f2\u3001\u5ba4\u5185\u697d\u66f2\u306e\u4e2d\u3067\u3082\u7528\u3044\u3089\u308c\u3066\u3044\u308b\u3002\u5909\u594f\u6280\u6cd5\u306e\u5909\u9077\u3092\u305f\u3069\u308b\u3053\u3068\u306b\u3088\u3063\u3066\u3001\u305d\u306e\u4e2d\u3067\u306e\u4f5c\u54c1120\u306e\u4f4d\u7f6e\u3065\u3051\u3092\u884c\u3063\u305f\u3002<\/p>\n<p>\u7b2c4\u7ae0\u3067\u306f\u3001\u4f5c\u54c1120\u306e\u4f5c\u54c1\u5206\u6790\u3092\u884c\u3063\u305f\u3002\u307e\u305f\u300133\u306e\u5909\u594f\u3092\u533a\u5206\u3059\u308b4\u30015\u30017\u30018\u306e\u533a\u5206\u8aac\u3092\u7d39\u4ecb\u3057\u3001\u65b0\u305f\u306a\u533a\u5206\u8aac\u3092\u63d0\u8d77\u3057\u305f\u3002<\/p>\n<p>\u7b2c5\u7ae0\u3067\u306f\u3001\u4f5c\u54c1120\u306e\u521d\u7248\u8b5c\u3068\u6539\u984c\u7248\u306e\u5185\u5bb9\u306b\u3064\u3044\u3066\u691c\u8a0e\u3057\u305f\u3002\u521d\u7248\u8b5c\u3068\u6539\u984c\u7248\u306f\u3001\u30dc\u30f3\u3001\u30a6\u30a3\u30fc\u30f3\u3001\u30d9\u30eb\u30ea\u30f3\u3001\u30df\u30e5\u30f3\u30d8\u30f3\u3001\u30d7\u30e9\u30cf\u7b49\u5404\u5730\u306b\u6240\u8535\u3055\u308c\u3066\u3044\u308b\u3002\u7b46\u8005\u306f8\u672c\u306e\u521d\u7248\u8b5c\u3092\u8abf\u67fb\u3057\u305f\u3002\u305d\u306e\u7d50\u679c\u3001\u540c\u3058\u30d7\u30ec\u30fc\u30c8\u756a\u53f7\u3092\u6301\u3064\u521d\u7248\u8b5c\u3067\u3042\u3063\u3066\u3082\u3001\u97f3\u9ad8\u3001\u30c7\u30e5\u30ca\u30fc\u30df\u30af\u3001\u30b9\u30bf\u30c3\u30ab\u30fc\u30c8\u7b49\u306b\u7570\u540c\u304c\u3042\u308a\u3001\u521d\u7248\u8b5cA\u3068\u521d\u7248\u8b5cB\u306b\u5206\u985e\u3067\u304d\u308b\u3053\u3068\u306b\u6c17\u304c\u4ed8\u3044\u305f\u3002\u540c\u69d8\u306b\u3001\u6539\u984c\u7248\u306b\u3064\u3044\u3066\u308211\u672c\u3092\u7167\u5408\u3057\u305f\u7d50\u679c\u3001\u6539\u984c\u7248\u306e\u697d\u8b5c\u5185\u5bb9\u3082\u6539\u984c\u7248C\u3068\u6539\u984c\u7248D\u306e2\u7a2e\u985e\u306b\u5206\u985e\u3067\u304d\u308b\u3053\u3068\u304c\u5224\u660e\u3057\u305f\u3002\u6539\u984c\u7248C\u306f\u3001\u521d\u7248\u8b5cB\u3092\u5178\u62e0\u3068\u3057\u305f\u7248\u3067\u3042\u308a\u3001\u6539\u984c\u7248D\u306f\u3001\u81ea\u7b46\u8b5c\u3092\u53c2\u8003\u306b\u3057\u3066\u82e5\u5e72\u306e\u4fee\u6b63\u3092\u52a0\u3048\u305f\u7248\u3067\u3042\u308b\u3002\u3055\u3089\u306b\u3001\u6539\u984c\u7248\u306f\u3001\u8868\u7d19\u304c4\u7a2e\u985e\u3042\u308b\u3053\u3068\u3082\u5224\u660e\u3057\u305f\u3002<\/p>\n<p>\u521d\u7248\u8b5cA\u306f\u3001\u81ea\u7b46\u8b5c\u3084\u6d44\u66f8\u8b5c\u3092\u7cbe\u5bc6\u306b\u7ffb\u523b\u3057\u305f\u3082\u306e\u3067\u306f\u306a\u304f\u3001\u697d\u8b5c\u5185\u5bb9\u306b\u4e0d\u5099\u304c\u307f\u3089\u308c\u305f\u3002\u7b46\u8005\u306f\u3001\u521d\u7248\u8b5c\u306b\u3064\u3044\u3066\u306f\u3001\u521d\u7248\u8b5cA\u304c1823\u5e746\u6708\u4ee5\u964d\u306b\u51fa\u7248\u3055\u308c\u3001\u305d\u306e\u5f8c\u8aa4\u308a\u306b\u6c17\u4ed8\u304d\u3001\u3042\u307e\u308a\u6642\u3092\u7d4c\u305a\u306b\u3001\u9285\u7248\u306b\u4fee\u6b63\u3092\u52a0\u3048\u3066\u521d\u7248\u8b5cB\u3092\u51fa\u7248\u3057\u305f\u3001\u3068\u63a8\u5bdf\u3059\u308b\u3002\u5f8c\u7d9a\u7248\u306f\u521d\u7248\u8b5cA\u3068\u697d\u8b5c\u5185\u5bb9\u304c\u5171\u901a\u3057\u3066\u3044\u308b\u3053\u3068\u3082\u5224\u660e\u3057\u305f\u3002<\/p>\n<p>\u306a\u304a\u3001\u65e7\u5168\u96c6\u7248\u306f\u521d\u7248\u8b5cB\u3092\u5178\u62e0\u3068\u3057\u3066\u3044\u308b\u3053\u3068\u3082\u5206\u304b\u3063\u305f\u3002\u307e\u305f\u3001\u65b0\u5168\u96c6\u7248\u306b\u306f\u5178\u62e0\u3068\u3057\u305f\u521d\u7248\u8b5c\u306e\u7248\u540d\u304c\u8a18\u3055\u308c\u3066\u3044\u306a\u3044\u3002\u81ea\u7b46\u8b5c\u3084\u6d44\u66f8\u8b5c\u306b\u306f\u8868\u8a18\u3055\u308c\u3066\u3044\u306a\u3044\u6821\u8a02\u8005\u306e\u89e3\u91c8\u304c\u52a0\u3048\u3089\u308c\u305f\u90e8\u5206\u304c\u3042\u308b\u3002<\/p>\n<p>\u3053\u308c\u3089\u306e\u8abf\u67fb\u304b\u3089\u3001\u7b46\u8005\u306f\u3001\u697d\u8b5c\u306e\u8868\u7d19\u3001\u3042\u308b\u3044\u306f\u30c7\u30b6\u30a4\u30f3\u304c\u540c\u3058\u3067\u3042\u308a\u3001\u4e14\u3064\u697d\u8b5c\u306e\u6700\u4e0b\u6bb5\u306b\u8a18\u8f09\u3055\u308c\u305f\u30d7\u30ec\u30fc\u30c8\u756a\u53f7\u304c\u540c\u3058\u3067\u3042\u3063\u3066\u3082\u7570\u306a\u308b\u7248\u304c\u5b58\u5728\u3059\u308b\u3053\u3068\u3092\u8a8d\u8b58\u3059\u3079\u304d\u3067\u3042\u308b\u3001\u3068\u4e3b\u5f35\u3059\u308b\u3002\u540c\u6642\u306b\u3001\u4f5c\u54c1120\u306e\u307f\u306a\u3089\u305a\u3001\u3044\u308f\u3086\u308b\u300c\u539f\u5178\u7248 Urtext\u300d\u3068\u79f0\u3055\u308c\u308b\u5168\u3066\u306e\u7248\u306b\u3064\u3044\u3066\u3082\u3001\u697d\u8b5c\u8cc7\u6599\u306e\u5178\u62e0\u304c\u660e\u8a18\u3055\u308c\u308b\u3079\u304d\u3067\u3042\u308b\u3001\u3068\u8003\u3048\u308b\u3002<\/p>\n<p><span style=\"line-height: 1.84;\"><\/div>\n<div id=\"tab_div_ztgj\" class=\"tab_content\" aria-labeledby=\"tab_li_ztgj\" aria-hidden=\"true\" role=\"tabpanel\">\n<h2>\u535a\u58eb\u8ad6\u6587\u82f1\u6587\u8981\u65e8<\/h2>\n<h3>A Critical Study of the Editions of Beethoven\u2019s Diabelli Variations Op.120:<br \/>\nMainly focusing on several variants in the early period of editions of the Diabelli Variations.<\/h3>\n<p>Beethoven\u2019s Diabelli Variations (\u201cThirty-three Variations in C on a Waltz by Anton Diabelli\u201d), Op.120(hereinafter Op.120) exists in the version autographed by Beethoven himself and also in manuscript copies written by copyists. In addition, printed editions include \u201cOriginalausgabe\u201d, an original edition, and \u201cTitelauflage\u201d, a title edition, both published before Beethoven\u2019s death. \u201cNachdruck\u201d, a subsequent edition published after Beethoven\u2019s death, followed these. After \u201cNachdruck\u201d came the \u201cBrietkopf &amp; Ha1rtel\u2019s Complete Edition of Beethoven\u2019s Works\u201d and the \u201cComplete Edition of the Beethoven Archives,\u201d both of which included Op.120. The versions of the work currently available on CD were played not on the basis of the present \u201cComplete Edition of the Beethoven Archives\u201d but mainly on the \u201cBrietkopf &amp; Ha1rtel\u2019s Complete Edition of Beethoven\u2019s Works\u201d published in 1862-1865. Why are there different editions of the same work?<\/p>\n<p>The subject of this study is Beethoven\u2019s Op.120. This study undertakes a minute comparative study of the original edition of Op.120 published in 1823 and the title edition published in 1824. In addition, it also examines the subsequent edition of Op.120 published from 1830 onward, after Beethoven\u2019s death. It pays attention to the early period of variants (Lesart) which were overlooked in previous studies.<\/p>\n<p>Chapter One refers to the previous studies on Op.120 and cites issues and several points of contention arising from these previous studies.<\/p>\n<p>Chapter Two examines the circumstances under which Op.120 was written and clarifies the social milieu surrounding Anton Diabelli, composer of the theme of Op.120, and Beethoven. At the same time, I also discussed the other \u201cDiabelli Variations\u201d (Vaterlandischer Kunstverein) composed by 50 composers based on the same original waltz of Anton Diabelli and clarified the variation techniques that were popular at that time.<\/p>\n<p>Chapter Three examines Beethoven\u2019s technique of variation, which he used not only for variations but also in piano sonatas, symphonies and chamber music. It sets Op.120 in the context of these changes in variation technique.<\/p>\n<p>Chapter four analyzes Op.120, introduces the theory of distinguishing the 33 variations in terms of 4, 5, 7, and 8 grouping and proposes a new theory of grouping.<\/p>\n<p>Chapter Five examines the contents of the original editions of Op.120 and the title editions of Op.120. The original and title editions are held in Bonn, Vienna, Berlin, Munich, Prague and others. I researched eight original editions and came to realize that these editions can be classified into original editions A and B, since they differ in terms of interval, dynamic, staccato, etc., although they have the same plate number.<\/p>\n<p>Likewise, after cross-checking 11 title editions, I found that these editions may also be classified into two; title editions C and D. The title edition C was revised on the basis of the original edition B, whereas the title edition D referred to Beethoven\u2019s autographed version to which it made some revisions. Furthermore, I established that the title editions have four different covers.<\/p>\n<p>The original edition A does not reproduce precisely the autographed or manuscript versions but contains certain flaws. My understanding is that the original edition A was published after June 1823; the flaw was found; and within a short period of time, revisions were entered on the copper plates and the original edition B was published. I also realized that the subsequent editions contain the same score as the original editions A. Furthermore, the \u201cBrietkopf &amp; Ha1rtel\u2019s Complete Edition of Beethoven\u2019s Works\u201d turns out to be based on the original editions B. The \u201cComplete Edition of the Beethoven Archives\u201d does not record the name of the original edition on which it is based. The interpretations which are not written in the autograph or manuscript copies were added in some parts of this \u201cComplete Editions\u201d by a reviser.<\/p>\n<p>Through this study, I came to believe that we need to recognize there are variants (Lesart), even though covers and designs of respective editions are the same and the plate numbers entered at the bottom of the score are also identical.<\/p>\n<p>Furthermore, I urge the importance of clarifying the original source of the score materials not only in Op.120 but also in all editions which have been referred to as Original Version (Urtext).<\/p>\n<p><span style=\"line-height: 1.84;\"><\/div>\n<div id=\"tab_div_995f\" class=\"tab_content\" aria-labeledby=\"tab_li_995f\" aria-hidden=\"true\" 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