{"id":313,"date":"2020-02-16T16:34:28","date_gmt":"2020-02-16T07:34:28","guid":{"rendered":"http:\/\/www.okigei.ac.jp\/en\/?p=313"},"modified":"2020-02-21T10:57:11","modified_gmt":"2020-02-21T01:57:11","slug":"music-arts","status":"publish","type":"post","link":"https:\/\/www.okigei.ac.jp\/english\/graduate\/music-arts.html","title":{"rendered":"Graduate School of Music (Master\u2019s Program)"},"content":{"rendered":"
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\n\t\t\t\t\t\tEducational Philosophy, Objectives and Characteristics of Students of the Graduate School of Music Arts\t\t\t\t\t\t<\/h2>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div>

Educational Philosophy and Objectives of the Graduate School of Music Arts<\/h3>\n
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The Music and Arts Graduate School of the Okinawa Prefectural University of Arts aims to accomplish the objectives of developing students\u2019 outstanding professional competence in various areas of the music arts. Based on the above, and following the founding principles of the school, outstanding practical education shall be provided to students, with particular attention paid to the technical characteristics of Okinawa\u2019s traditional performing arts, which have been inspired by the particular history, culture, and natural environment of this archipelago.<\/p>\n

Art education based on philosophical, aesthetic and cultural reevaluations on the concept of beauty, including both Eastern and Western conceptions shall also be provided from a perspective stressing the universality of art.
\nInterdisciplinary studies shall be conducted to uncover the distinguishing features of traditional arts and culture with regard to the Orient, covering Pan-Asian regions from the perspectives of the structural study of music and ethnomusicology that aim to elucidate the existing diversity of performing arts in the cultural sphere of southern islands that include Okinawa as a key player.<\/p>\n

Through our educational activities, we aim to foster human resources that include performing artists, scholars and professional leaders in art education who have a deep understanding of arts and cultures and with their refined sensitivity and rich creativity, will strive to maintain practical involvement in a wide range of endeavors in the music arts within society in the future.<\/p>\n<\/div>\n<\/div><\/div>

Characteristics of a student admitted into this Graduate Program<\/h3>\n
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This Graduate School is happy to accept highly motivated students who strive to fulfill the ideals of our educational philosophy and attain the objectives of our program, have a broad educational background, specialized knowledge in the music arts, fundamental research skills in their area of specialization, an independent work ethic, and ambition.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tMajors\t\t\t\t\t\t<\/h2>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div>
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The Theater Arts Major consists of two specializations: Ryukyuan Classical Music which focuses on uta-sanshin (singing paired with the sanshin, a three stringed banjo-like instrument) and koto (a type of harp), and secondly Dance and Kumiodori (classical dance and traditional musical drama). In each concentration, students acquire advanced performance skills. The goals of the program include the cultivation of performers and educators who possess advanced performance skills as well as those who will create a new theatrical culture through their accomplishments in the traditional performing arts.<\/p>\n<\/div>\n<\/div><\/div>

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\n\t\t\t\t\t\tTheater Arts Major\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><\/div>
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Master\u2019s Degree in Ryukyuan Classical Music<\/strong><\/h4>\n

At the time of admission, students in the Master\u2019s program in Ryukyuan classical music are required to possess skills in solo performance of major pieces in the repertoire of Ryukyuan classical music and dance music.
\nThe curriculum focuses on the mastery of pieces such as ufunkashibushi. In addition, they must acquire refined skills in accompaniment for kumiodori and dance. Through familiarity with the theoretical aspects of traditional music, the program aims to cultivate future educators who have a profound understanding of traditional musical arts. In addition, students are expected to learn new skills as creators of new forms of traditional music through composition and performance.
\nStudents are required to earn sufficient credits to complete coursework and to present a satisfactory Master-level performance. The repertoire for a Master\u2019s performance includes a solo performance of ufunkashibushi, accompaniment of Ryukyuan dance and kumiodori, and original composition. Furthermore the submission of a performance analysis demonstrating a profound grasp of genre is required.<\/p>\n<\/div>\n<\/div><\/div><\/div>

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\n\t\t\"Hiromi\n\t<\/div>\n\n

Hiromi Maeda, FY2013 Graduates<\/h3><\/div><\/div><\/div><\/div><\/div>
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Master\u2019s Degree in Ryukyan Dance and Kumiodori<\/strong><\/h4>\n

At the time of admission, students in the Master\u2019s program in Ryukyuan dance and kumiodori are required to have mastered the major items of the repertoire of Ryukyuan classical dance and zo-udui, or the acting and chanting for the basic roles in kumiodori.
\nThe curriculum aims to develop performance skills in typical Ryukyuan classical dance forms such as onna-odori (women\u2019s dance) and nise-udui (young men\u2019s dance) to a higher level, as well as more advanced acting and chanting techniques for the various major kumiodori programs. In the analytical classes in dance and musical drama theory, students can deepen their understanding of the classical performing arts and also acquire the ability to create original works.
\nStudents are required to accumulate sufficient credits to complete coursework and to present a satisfactory Master-level performance. The repertoire for a Master\u2019s performance includes an act from kumiodori, kumiodori chant and an original or reconstructed dance. The suggested repertoire in Ryukyuan dance includes classics such as onna-odori, nise-udui and zo-udui or an original dance as an alternative to zo-udui. The submission of a written analysis is also required as proof of deepened understanding of a performance.<\/p>\n<\/div>\n<\/div><\/div><\/div>

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\n\t\t\"Stage\n\t<\/div>\n\n

Stage Scene of Ryukyuan Kumiodori<\/h3><\/div><\/div><\/div><\/div><\/div>
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\n\t\t\t\t\t\tMusic Performance Art Major\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div>
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The Music Performance Art program aspires to cultivate musicians who can play an active part in the international music world, as well as encouraging those who can contribute to the development of music culture in Okinawa. The Music Performance Art program is divided into three specializations: Vocal Music, Piano, and Wind Brass, Strings, Percussion.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>

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Master\u2019s Degree in Vocal Music<\/strong><\/h4>\n

In addition to the foundations of vocal music acquired during undergraduate studies, the Master\u2019s program in vocal music encourages students to develop their vocal techniques and pursue excellent stage performances. The program consists of two specialties: vocal music and opera.
\nThrough the entire curriculum, students aim to discern the qualities of their voices and their own style of expression, thereby establishing individual repertoires. In the vocal music specialty, students learn to acquire sufficient performance skills and powers of expression for a recital, whereas students in the opera specialty aspire to develop appropriate performance skills and expression for taking a role in an entire opera, and acquire the knowledge of theories and practical techniques of stage production, all as parts of a comprehensive understanding of opera. The results of extensive study are tested at a public concert.
\nStudents are required to succeed in a Master\u2019s performance and to acquire sufficient credits to complete coursework. A Master\u2019s performance is a forty- to fifty-minute recital, or an opera, in which student\u2019s abilities as vocalists, or their abilities in singing, acting and expression as an opera performer are tested. The submission of a written analysis is also required in relation to the content of the Master\u2019s performance.<\/p>\n<\/div>\n<\/div><\/div><\/div>

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\n\t\t\"Opera\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>
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Master\u2019s Degree in Piano<\/strong><\/h4>\n

The Master\u2019s program in Piano is based on performance skills developed during undergraduate studies, and focuses on the comprehensive development of specialized practical technique. During the entrance examination, students are required to perform several works from different eras which should last at least forty minutes, as designated by the examiner.
\nThe main focus of the two-year curriculum is on individual tuition in technique under an advisor. In addition, time is devoted to practical training in concerto, chamber music and vocal accompaniment, and to studies in theories of musical style, music analysis and performance technique.
\nStudents are required to accumulate sufficient coursework credits and to present a satisfactory Master-level performance. A Master\u2019s performance comprises a seventy to ninety-minute solo recital and submission of a written analysis of the pieces comprising the recital.<\/p>\n<\/div>\n<\/div><\/div><\/div>

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\n\t\t\"Chamber\n\t<\/div>\n\n

Chamber Music Training by Emiko Iwabuchi<\/h3><\/div><\/div><\/div><\/div><\/div>
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Master\u2019s Degree in Wind Brass, Strings, Percussion<\/strong><\/h4>\n

The Master\u2019s program in Piano is based on performance skills developed during undergraduate studies, and focuses on the comprehensive development of specialized practical technique. During the entrance examination, students are required to perform several works from different eras which should last at least forty minutes, as designated by the examiner.
\nThe main focus of the two-year curriculum is on individual tuition in technique under an advisor. In addition, time is devoted to practical training in concerto, chamber music and vocal accompaniment, and to studies in theories of musical style, music analysis and performance technique.
\nStudents are required to accumulate sufficient coursework credits and to present a satisfactory Master-level performance. A Master\u2019s performance comprises a seventy to ninety-minute solo recital and submission of a written analysis of the pieces comprising the recital.<\/p>\n<\/div>\n<\/div><\/div><\/div>

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\n\t\t\t\t\t\tMusicology Major\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div>
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In order to advance students to a higher level in theoretical and compositional studies in music and performing arts gained at the undergraduate level, the Musicology program offers two specializations: Musicology and Composition. The objective of the program is to cultivate individuals who can contribute to society as scholars, composers and in other fields of music and the performing arts.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>

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Master\u2019s Degree in Musicology<\/strong><\/h4>\n

Disciplines within this specialization include music history, ethnomusicology, and study in dance and the performing arts. Students are expected to possess fundamental knowledge in these areas, as well as knowledge in related fields at the time of admission.
\nIn the field of music history, students aim to study Western and Japanese music from historical, aesthetic and theoretical viewpoints. Ethnomusicology studies strive to elucidate the internal logic (text) within music in various cultures and the historical and social background (context) of those texts. Although the basic research methodology used in the field of dance and the performing arts is identical to that in ethnomusicology, the program aims to pursue the historical and aesthetic study of dance and the performing arts based on the analysis of posture and gesture.
\nThe curriculum is designed to facilitate the acquisition of specialized knowledge and individual research methods through lectures in each area. In the fields of ethnomusicology and the study of dance and the performing arts, emphasis is placed on Okinawan as well as the other Asian regional studies.
\nStudents in this program are required to submit a Master\u2019s thesis and to acquire sufficient coursework credits. A Master\u2019s thesis should include new insights and be based on an appropriate research method.<\/p>\n<\/div>\n<\/div><\/div><\/div>

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\n\t\t\"Research\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>
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Master\u2019s Degree in Composition<\/strong><\/h4>\n

The Master\u2019s program in composition aims to develop the proficiency of students in the technique of composition, the basis being the musical foundations and composition techniques acquired at the undergraduate level. Students are encouraged to vigorously explore ready-established foundations in pursuit of their own creativity. They are also expected to adopt broad perspectives in undertaking independent study of the techniques inherited from their predecessors, but also to aspire to musical creation.
\nStudents re-evaluate the historical course of Western music to the dawn of modern music and study the expression of both diverse and specialized modern compositions through score analysis in lectures and seminars. Based on the broad perspective formed by the two years of studies, students compose graduation works with a free choice of instrumentation, and are given chances to hear their works in rehearsal, in order for each and every student to chart their own compositional course.
\nStudents are required to accumulate sufficient coursework credits and to present a satisfactory Master-level composition.<\/p>\n<\/div>\n<\/div><\/div><\/div>

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\n\t\t\"Students\n\t<\/div>\n\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

The Music and Arts Graduate School of the Okinawa Prefectural University of Arts aims to accomplish the object…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-313","post","type-post","status-publish","format-standard","hentry","category-graduate"],"_links":{"self":[{"href":"https:\/\/www.okigei.ac.jp\/english\/wp-json\/wp\/v2\/posts\/313","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.okigei.ac.jp\/english\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.okigei.ac.jp\/english\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.okigei.ac.jp\/english\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.okigei.ac.jp\/english\/wp-json\/wp\/v2\/comments?post=313"}],"version-history":[{"count":15,"href":"https:\/\/www.okigei.ac.jp\/english\/wp-json\/wp\/v2\/posts\/313\/revisions"}],"predecessor-version":[{"id":322,"href":"https:\/\/www.okigei.ac.jp\/english\/wp-json\/wp\/v2\/posts\/313\/revisions\/322"}],"wp:attachment":[{"href":"https:\/\/www.okigei.ac.jp\/english\/wp-json\/wp\/v2\/media?parent=313"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.okigei.ac.jp\/english\/wp-json\/wp\/v2\/categories?post=313"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.okigei.ac.jp\/english\/wp-json\/wp\/v2\/tags?post=313"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}